Oil on canvas, 38x47cm
From catalogue for ÖGONBLICK, 2024:
“This painting is my favorite in this show. The vibrant red underpainting infuses it with life, and I am particularly pleased with how the stars turned out. It depicts a young girl, a friend of mine, holding a semi-transparent cloth in front of her face. Painting the shadows of the tiny stars on her skin was especially enjoyable; these delicate star-shaped shadows were a real treat."
Oil on canvas, 41x41 cm
From catalogue for ÖGONBLICK, 2024:
"“For years, I have been drawn to the idea of incorporating more masculine figures in my paintings. Yet, whenever I set out to portray a subject, my mind instinctively gravitates towards feminine faces and forms. This inclination is perhaps influenced by the works of the artists I admire, whose pieces predominantly feature female figures—a trend not surprising given that 98% of artists in renowned museums are male and 98% of the figures painted are female.
Each attempt at painting a male model left me dissatisfied; the resulting images felt more like specific portraits than the emotive, universal expressions I sought. Determined to capture a man's face in a soft, almost flower-like way, I started this project with meticulous planning.
I carefully selected a high-key color palette to merge the face and pillow, transforming the bed into a magical forest. Inspired by Allen Tucker's impressionist landscape "Cold Beverly," I chose to work exclusively with the lighter spectrum of oil paints, striving to transcend realistic colors and instead evoke pure feeling. The initial sketch was even lighter, with the orange imprimatura glowing through the purple hues.
The sweater blends seamlessly into the blue pillow, while the ultramarine and white mixture offers a striking contrast against the off-white background. This work is about my journey in balancing the depiction of male figures with the emotive and aesthetic qualities that resonate deeply with me.”
Oil on canvas, 100x80cm
From catalogue for ÖGONBLICK, 2024:
“I wanted to create a feeling of her drowning in the moss. The awkwardness of the composition and her figure almost slipping out of the canvas. I want it to show the moss as a fluffy bed but also an uncomfortable slippery slope that the figure is just about to slide out of.”
100x60
Oil on canvas
115x115 cm
oil on canvas
56x85
Oil on canvas
2023
115x75
Oil on canvas
48x95
Oil on canvas
oil on canvas
30x30 cm
oil on canvas
89x70 cm framed
oil on canvas
50x70 cm unframed
oil on canvas
73x118 framed
Oil on canvas, 50x60 cm
From catalogue for ÖGONBLICK, 2024:
“A view from our studio window.”